PDF Ebook Zofloya: or The Moor (Oxford World's Classics), by Charlotte Dacre
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Zofloya: or The Moor (Oxford World's Classics), by Charlotte Dacre
PDF Ebook Zofloya: or The Moor (Oxford World's Classics), by Charlotte Dacre
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`Few venture as thou hast in the alarming paths of sin.' This is the final judgement of Satan on Victoria di Loredani, the heroine of Zofloya, or The Moor (1806), a tale of lust, betrayal, and multiple murder set in Venice in the last days of the fifteenth century. The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of `Monk' Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb. The introduction to this edition, the first for nearly 200 years, examines why Zofloya deserves to be read alongside established Gothic classics as the highly original work of an intriguing and unconventional writer.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Sales Rank: #177185 in Books
- Brand: OUP Oxford
- Published on: 2008-09-01
- Original language: English
- Number of items: 1
- Dimensions: 5.00" h x .70" w x 7.60" l, .50 pounds
- Binding: Paperback
- 320 pages
Review
Michasiw's introduction is accessible, capacious in its knowledge of eighteenth-century gothic fiction, and informed regarding recent developments in gothic and Romantic studies. Besides providing a good general overview of Dacre's life and literary career, it deftly unpacks the issues raised by Zofloya's handling of race and female desire and explains Dacre's long absence from literary studies with force and efficiency. -- Michael Gamer, Romantic Circles Reviews, December 1998
About the Author
Kim Ian Michasiw is Associate Professor of English at York University, Ontario.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Good book. Crazy stuff happens in it. Fast shipping
10 of 14 people found the following review helpful.
Two novels in one
By A Customer
This actually seems like two separate novels. The first section describes Victoria, a spoiled woman who's mother leaves her father for a libertine. The first Volume and a half describe her life and her attempts at becoming her own woman. But the telling is quick and boring. The second half tells of only a few months of Victoria's life, and her strange love for Zofloya, the moorish servant of her husband's brother. Fromt his point on, the novel becomes a harrowing tale of murder and revenge. Intensely violent, and very entertaining, the second half almost makes of for the rather lackluster beginning.
1 of 1 people found the following review helpful.
Gothic sensationalism
By Steven Davis
Charlotte King was born in 1772, the daughter of a moneylender named Jacob Rey who used the assumed name of John King in his business dealings. Charlotte became a writer in her 20s, using at least four pseudonyms including that of "Charlotte Dacre" for her most enduring work, Zofloya, or The Moor. Little is known about her private life except that she gave birth to three children before marrying for the first and only time at age 43. The mystery and elusiveness surrounding her life is only appropriate for the author of a minor Gothic masterpiece.
Zofloya, or The Moor is set in late 15th century Venice. We are introduced to the happy and noble family of the Marchese di Loredani. His wife, the euphoniously-named Laurina di Loredani, is a model of physical and spiritual beauty. They have two children, the proud and dashing Lorenzo and the stunning, raven-tressed Victoria. Victoria, they admit, is rather spoiled and demanding, but with proper instruction she will surely grow out of it and be as virtuous as her mother.
But Laurina's virtue is put to the test by a libertine houseguest who makes it his goal to seduce her. When he succeeds, the family falls apart, and one mistake after another plunges the father into grief and the two children into wickedness.
Victoria takes her mother's infidelity as a sign that all morality is bogus. She lives only to please herself, and is still enough the spoiled child to believe that what she wants she should have, no matter the cost. She becomes increasingly ruthless in pursuit of the object of her passions, but it isn't until midway through the novel that Victoria contemplates murder and accepts the offered help of a family servant, Zofloya.
Zofloya is a disenfranchised Muslim from Spain. His background, as well as the historical sketch which accompanies it, is very similar to that of the Moorish characters in Jan Potocki's novel The Manuscript Found in Saragossa, portions of which were first published just months before Zofloya, or The Moor appeared. Dacre and Potocki appear to have drawn inspiration from the same contemporary sources. There are other similarities between the two novels.
Zofloya's aid, and his interest in Victoria, are at first easily explained. But, gradually, as Victoria entangles herself deeper into a web of crime, the Moor's actions and powers begin to seem supernatural. The pledges he draws cleverly from his victim soon leave little doubt that he is Satan himself.
Zofloya, or The Moor is soundly rooted in the Gothic tradition, with numerous allusions to two giant works of that genre, Ann Radcliffe's The Mysteries of Udolpho and M. G. Lewis's The Monk. The resemblance to the latter is much stronger, as we are treated to gory scenes of murder and combat, moldering corpses, dungeons, insane ravings, and supernatural apparitions.
Victoria is one of several females who are honest about their sexual desires and nonchalant about the institution of marriage in a manner uncharacteristic of the time. But she refuses to be a sympathetic heroine. "Do I repent me of that which I have done? No,--I regret only the state to which circumstances have reduced me." In his fine introduction to the Oxford World's Classics edition of the novel, Kim Ian Michasiw asserts that it is this defiance which has cost Zofloya, the Moor its place in the literary canon. "A mother-hating triple murderess who dreams of sexual congress with a demon of colour has not been judged a proper model for the young reader either in the last century or in this. And the woman author who created such a being... can scarcely deserve shelf space next to Mansfield Park or Vilette."
After leading the reader down a treacherous slope of lust, revenge, violence and insanity, Dacre closes with a brief lesson on repentance and redemption from an angel representing a god that has scarcely been mentioned heretofore. The Marquis de Sade closed some of his works in similar fashion to make them publishable, and didn't fool anyone either. Zofloya, or The Moor is pure sensationalism from the pen of a talented young lady who apparently dozed through her geography lessons but was otherwise well-read. A more introspective Victoria di Loredani might have made a worthy female counterpart to Faust or Victor Frankenstein, but instead she is purely, astonishingly, wicked.
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